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James Carter (musician) - Wikipedia
Saxophone prodigy James Carter toured with Winton Marsalis when he was 17 and cut his first solo record when he was He reflects on his mentors and heroes, and looks to the future of jazz. January 1, James Carter - James Carter (born January 3, 1969) is an American jazz musician widely recognized for his technical virtuosity on saxophones and a variety of woodwinds. He is the cousin of noted jazz violinist Regina Carter.James Carter - James Carter picked up a saxophone to play jazz 11 years after his birth in Detroit on January 3rd, 1969. The same year, he went backstage summoning Count Basie’s counsel. He never willingly missed a Saturday lesson with Donald Washington, whose wisdom dealt with life, staying open to all idioms of music and developing chops—“James, you.Biography - James Carter After Wynton Marsalis, no one caused more of an uproar than James Carter did when he appeared on the New York jazz scene from his native Detroit. Carter’s debut recording, JC on the Set, issued in Japan when he was only 23 and in the States a year later in 1993, was universally acclaimed as the finest debut by a saxophonist in decades. The saxophone is a woodwind instrument that produces sound through a single reed. James Carter, born on January 3, 1969, in Detroit, Michigan, is a renowned American saxophonist and composer, widely celebrated for his innovative contributions to jazz music. With a career that has spanned over three decades, Carter has established himself as one of the leading figures in contemporary jazz, known for his unique blend of.from Autobiography: The Story of My Experiments With Truth by Mohandas Karamchand Gandhi JIMMY CARTER: Always A Reckoning and Other Poems. James Carter looks set to carve out a highly successful solo jazz career for himself, if his ravishing playing on this album of recherché swing and modern classics leavened with the cogent originals is anything to go by. On baritone he combines a deftness and agility not normally heard from the instrument with a wonderfully earnest sonorousness. On tenor and alto, he achieves an almost.Watching your documentary today, so inspiring! Taken in context, Carter’s creative rendezvous with composer, Roberto Sierra, with the Concerto for Saxophones and Orchestra made perfect sense. Now Carter presents us with James Carter’s Elektrik Outlet, a new configuration within which he has found a new groove to explore. Shifting his sax into a keen array of electronics and pedals just. James Carter: The Real Quietstorm - Classical Music
Carter’s debut recording, JC on the Set, issued in Japan when he was only 23 and in the States a year later in , was universally acclaimed as the finest debut by a saxophonist in decades. Critics lauded his ability to play in virtually any jazz style without appearing to ape anyone. James Carter by Zoë Anglesey - BOMB Magazine
He started playing the saxophone at the age of eleven and studied under trumpeter Donald Washington. By the time he was 16, he was touring in Europe with he International Jazz Band. A year later, he debuted with Wynton Marsalis, taking the rich and vibrant New York jazz scene by storm.
James Carter – Jazz in America: Past, Present and Future
Whether he’s playing tenor or soprano sax, shows off a sweet, sinuous tone; when he reinterprets Reinhardt’s classic Nuages with a bass sax, the muscular sound is distancing at first, but then it wraps itself around the listener like an anaconda. On baritone he combines a deftness and agility not normally heard from the instrument with a wonderfully earnest sonorousness. On tenor and alto, he achieves an almost rapturous elegance reminiscent of Johnny Hodges in ballad mode; on soprano he is sinuous and quick-witted, but unusually full-toned. Carter's playing is characterized by its adventurous spirit, often pushing the boundaries of conventional saxophone techniques. His performances and recordings frequently include elements of swing, free jazz, and funk, highlighting his broad musical palette.